Born and brought up in Tokyo, Aki may have been enclosed in an eternally expanding urban landscape all her life, but she knows where her inspiration lies. After all, she has been busy worldwide in solo and group exhibitions ever since the completion of her MFA in Intermedia Art from University of Tokyo (2008). In the process she showcased her art installations in places such as Hamburg, Linz, Paris, New York, Shanghai and of course at home in Tokyo. Such cultural exchanges only helped to expand her views. Her latest Hermit Crab series named White Chapel is testimony to that.
On the question of a distinguishable existence of man in respect to other living beings, ancient philosopher Zhuang Zhou narrated his experience, Once upon a time, I, Chuang Chou, dreamed I was a butterfly, fluttering hither and thither, to all intents and purposes a butterfly. I was conscious only of my happiness as a butterfly, unaware that I was Chou. Soon I awoke, and there I was, veritably myself again. Now I do not know whether I was then a man dreaming I was a butterfly, or whether I am now a butterfly, dreaming I am a man. Between a man and a butterfly there is necessarily a distinction. The transition is called the transformation of material things. When in the maze of modern living our ways seem to be hopelessly lost, then in art do we find solace. Because in art remains discreet the answers of such painfully pertinent questions that we continue to bury deep within us till we lose that crucial perspective about our own existence.
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